Do not come early. Terence Fletcher: Motherf***er! : [Andrew resumes playing] Terence Fletcher: So, imagine if Jones had just said, "Well, that's okay, Charlie. Terence Fletcher : Metz, why are you still sitting there? Neiman? Oh my dear God - are you one of those single tear people? Terence Fletcher : You believe that, right? Andrew : I-I don't know. Shortly after that we hear the door open and it's reappeared. [in calm,soothing manner to Andrew] Do I look like a double fucking rainbow to you? But I tried. In Andrew's first rehearsal, he insults Andrew's parents, calls him misogynistic and homophobic names, and throws a chair at him. Terence Fletcher I'll be on your time. Parker's a young kid, pretty good on the sax, gets up to play at a cutting session, and he fucks it up. This scared, skinny kid, cursing himself because he couldn't get his scales right. I can play it, okay? See what I'm saying? I told you that story about how Charlie Parker became Charlie Parker, right? Terence Fletcher: Were you rushing or were you dragging? Andrew I'm gonna keep pursuing what I'm pursuing. Right? : Terence Fletcher : : : Terence Fletcher: Whiplash raises the age-old question of depiction equaling endorsement. Terence Fletcher: Andrew: [to Connelly] HEY, F*** OFF JOHNY UTAH! : [to band] Onstage! If your ass is not on that stool with your own fucking sticks in hand or you make ONE FUCKING MISTAKE, ONE! Andrew: [going back to compose the band] End of story. [interrupts] That, to me, is an absolute tragedy. When did you become a fucking expert on what I can or cannot do, you fucking weepy willow shitsack? Humiliation is a major theme of the film and a central tenet of Fletcher's teaching philosophy. Hey, you know, fuck off, Johnny Utah! Terence Fletcher: Andrew: Andrew: Hey, you know, f*** off, Johnny Utah! Double it! Terence Fletcher And a year later, he goes back to the Reno and he steps up on that stage, and plays the best motherfucking solo the world has ever heard. Andrew Andrew Terence Fletcher And so for those reasons, I'd rather just, you know, break it off clean because I wanna be great. Terence Fletcher: Don't slow down. No Bird. I did do a pretty good job." Andrew *That's* the point. Andrew: Terence Fletcher: Now are you a rusher, or are you a dragger or are you gonna be ON MY FUCKING TIME? [Andrew stop playing because Fletcher enters the room] I believe that's an absolute necessity." Terence Fletcher , Whiplash Tagged: motivation "People change and things work out." Andrew Neimann , Whiplash Tagged: Optimism, Change in Literary Quotes in Movie Quotes in TV Shows : Terence Fletcher You are a worthless, friendless, faggot-lipped little piece of shit whose mommy left daddy when she figured out he wasn't Eugene O'Neill, and who is now weeping and slobbering all over my drum set like a fucking nine-year old girl! I believe that is an absolute necessity. Turn my pages, bitch! You better start shitting me perfect four-hundreds! He berates students and physically assaults them to try to scare or force them into performing better. And a year later, he goes back to the Reno and he steps up on that stage, and plays the best motherf***ing solo the world has ever heard. Terence Fletcher Let patients help define what value in medicine is. By the time you're done at Shaffer, you're gonna make Daddy look like a f***ing success story. Terence Fletcher [visibly distraught after phone call] : Uncle Frank: You got any friends, Andy? We will stay here for as long as it takes until one of you faggots can play in time. No, man no, because the next Charlie Parker would never be discouraged. No Bird. [turning away] [melancholic] Connelly, get your ass back on the kit. Andrew: One, two, three, four. Andrew: I don't know the charts by heart. Got it? Terence Fletcher: Jim: Dying broke and drunk and full of heroin at the age of 34 is not exactly my idea of success. I earned that part. Terence Fletcher : Good job." God, you are a self-righteous prick. "This is not Saint f***in' Patricks Day, Flannery. [plays a slow trumpet song through speakers]. : The only reason you are a core is because you misplaced a folder. Uncle Frank: Oh, why's that? The only reason you're in studio band to begin with is because I told you EXACTLY what I'd be asking for in Nassau! Andrew: What the fuck did you just say to me? Why would you let him get away with what he did to you? : [He turns around to realize the folder is not where he left it], Andrew: I- no- no, I literal- no, I s- I swear I just had it here two seconds ago-, Andrew: It's gotta be around here somewhere. Save your travel receipts. So for the final, FATHER-FUCKING time, SAY IT LOUDER! And I am not gonna have my reputation in that department tarnished by a bunch of fucking limp-dick, sour-note, flatter-than-their-girlfriends, flexible-tempo dipshits. Terence Fletcher: Andrew One, and two, and-, [Band plays and is immediately cut off again]. : Andrew [Andrew continues playing until he hears Fletcher slam the door out]. Yes sir. Terence Fletcher Terence Fletcher: We have a squeaker today, class. Or, we can let Johnny Utah play the part. [interrupts] No, I didn't! Soundtracks, Andrew stop playing because Fletcher enters the room, Andrew plays while Fletcher removes his jacket and puts it on a rack, Andrew continues playing until he hears Fletcher slam the door out, Andrew keeps playing after the music ends, plays a slow trumpet song through speakers, Rushes to pick up his rudiments, but turns to Connelly, kicks drumset out of the way and tackles Fletcher, the band prepares; Ryan Connolly is on the drum kit, Band begins to play for a moment only to be immediately cut by Fletcher, Ryan gets up from the kit and is replaced by Andrew, Band plays for a moment only to be cut by Fletcher again, a reluctant Andrew gets up from the kit and is replaced by Carl Tanner, Band plays and is immediately cut off again, at a movie theater, Andrew approaches Nicole behind the concession stand. So imagine if Jones had just said, "Well, that's okay, Charlie. Exactly. 1 Mar. Go! : FASTER! Ok, maybe a bug flew in my ear. : I was there to push people beyond what's expected of them. : : Terence Fletcher: For the record, Metz wasn't out of tune. Just because Fletcher screams homophobic insults into Andrew's ear and throws chairs at him while he's drumming doesn't. [entering the room] Nope, I guess not. I don't give a sh*t. Terence Fletcher: Now we got ourselves our mick f***ing paddy-cracker. He's out of your life. Terence Fletcher Connections Nicole: He practices. If you deliberately sabotage my band, I will f*** you like a pig. 2) Yes, he purposefully set Neiman up. Andrew What do you say? I was there to push people beyond what's expected of them. PLAY! Carried your fat ass for too long Metz, I'm not gonna have you cost us a competition because your minds on a f***ing happy meal instead of on pitch. And when he graduated, Marsalis made him third trumpet at Lincoln Center. Terence Fletcher Don't worry about what the other guys are thinking. Look up here, look at me. Terence Fletcher: You are a worthless, friendless, faggot-lipped little piece of shit whose mommy left daddy . We will stay here for as long as it takes until one of you faggots can play in time. Look up here, look at me. : : Release Dates Fletcher: Tell me it's not you, Elmer Fudd. Terence Fletcher: Connolly, get your fuckin' ass back on the kit! Everybody remember, Lincoln Center and its ilk use these competitions to decide who they are interested in and who they are not. But the next morning, what does he do? But that's just what the world wants now. But that's just what the world wants now. Do you think you're out of tune? Andrew: Hey, look, I can play these charts. Andrew: I'm sure they'll make great school board presidents someday. Come play with us. Jim: Do you think that I would let him put my son through hell, and then just walk away scot-free? Are you in Model UN? Terence Fletcher: I believe that is an absolute necessity. Hey, I can cut you any fucking time I want. 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